Episode 1143
The case against Joe Biden.
Mar 11 2020
Many of us don't realize that access to death records is not something protected by our constitution. It depends on what state you live in. If you look across the 50 states of the US, there are states that don't allow people to get access to death records unless you are the next of kin. Even if you get those records, it's not always the case that those records are going to reveal the truth of what happened. I think perhaps more nefarious and difficult is we in this nation hold terrible ideas about people on the wrong side of the law. We often don't want to admit it, but we often believe that when people get arrested or go to jail and they lose their lives or they become sick or ill, we feel they deserved it somehow.
Terence Keel returns to discuss his new book from Beacon Press, The Coroner's Silence: Death Records and the Hidden Victims of Police Violence. "The Moment of Truth" with Jeff Dorchen follows the interview.
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Ben Freeman
Dec 2
A Trillion Dollar War Machine Keeps Americans Poor and at War / William Hartung & Ben Freeman
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Feb 27 2020
Posted by Matthew Boedy
Welcome to the Moment of Truth: the thirst that is the drink.
Disclaimer: an unholy slew of cultural references will follow.
The thought of Al Pacino as an Ashkenazi Jewish-accented Holocaust survivor made my sister not want to watch the new Amazon Prime show, Hunters, about Nazi-hunters in the late 70s, produced by Jordan Peele. She loves Peele, but didn’t like Pacino as Hoffa in The Irishman, and also, in a nod to identity politics, she wondered why they didn’t get a real Jew to play Nazi- hunting millionaire Meyer Offerman.
There’s a lot about the show that doesn’t work, and a lot that does. Pacino’s accent is not horrible. Saul Rubinek’s ebbs and flows. Carol Kane’s is perfect in a way I don’t understand why Rubinek’s isn’t. Josh Mostel, son of Zero, not Zoro, who played King Herod in the film of Jesus Christ Superstar – “prove to me that you’re no fool/walk across my swimming pool” – is perfect as Carol and Saul’s rabbi, although the writing doesn’t rise to the level of the performances. German actress Barbara Sukowa, who played Rosa Luxemburg in Margarethe von Trotta’s not- great biographical film of the Jewish anarchist, is featured in an episode as a possibly-wrongly executed possible Nazi.
Why this show? Why now? Because Nazis are coming out of the woodwork, all over the world, acting like “Nazi” is a valid lifestyle choice, and, somehow, whether or not it’s all right to punch them has been a persistent moral question. And that’s the big moral question of the show: is it all right to kill Nazis three decades after they committed their Naziness? Or does, as Nietzsche had it, the abyss gaze back into you? Do you turn into a monster if you hunt monsters and kill them? Another current show, The October Faction, tackles this question, and answers that, yes, monsters are people, too, and going around killing them is immoral. At least, it is in a world where monsters are people, too.
But those are vampires, warlocks and such. Not Nazis. In Hunters, the Nazis are irredeemable monsters. Mustache-twirling monsters. Obvious in their evil, evil in their declared ambitions. There’s even an idealized “Proud Boy” style monster. It’s a relevant show! It’s not anywhere as good as HBO’s Watchmen, though. I’m not even sure Hunters is good at... read more