Manufacturing Dissent Since 1996
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Right wing elements in in power have referred to immigrants as invaders. That is as old as immigration in this country. What is new is arguing that the country is legally under invasion in a way that satisfies different laws that were passed at different times in the country's history, almost always when it was at war, or powers that were invoked that require the country to be under invasion in the real legal sense by a foreign force. That's new, the legal argument.

ProPublica's Molly Redden joins us to discuss her article, "The “Invasion” Invention: The Far Right’s Long Legal Battle to Make Immigrants the Enemy." A new "Moment of Truth" with Jeff Dorchen follows the interview.

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Posted by Alexander Jerri
Your best life now

For the current job I’ve been hired to do, one of my duties is to open a tab of Instagram stories or reels or whatever they’re called and let them play, one after the other, on a dedicated iPhone on the desk next to my computer. About an hour and forty minutes takes care of all the new ones each day. I’m also tasked with monitoring and responding to regular Instagram posts, messages, and comments. The most onerous thing about it is the influencers.

 

No one really knows what an influencer is or how they become what they are. Maybe there are already detailed treatises on the subject, but those would be premature. The true historic scourge of the influencer has yet to ripen and play out in its fully poisonous catastrophe.

 

Tied for most onerous is being exposed to the inspirational motivational pep-talk life-coach-y messaging of so much Instagram content. It’s not only influencers who are responsible. Such admonishments, aphorisms, and quotations are in fact most often posted by your rank-and-file poster of content, of which there is a multitude. Millions upon millions of foot soldiers parroting and re-posting self-help and positive-attitude formulations from the likes of Dale Carnegie and Khalil Gibran, misappropriated, out of context, often misattributed or garbled, some of it initiated by influencers, some just scraped from the walls of the web while gathering acorns and bluebird feathers for a cyber-dreamcatcher.

 

I conflate the inspirational and the motivational into one grand annoyance for a reason. They annoy me. They annoy me grandly. I begin at a negative philosophical position. Announce to me what you consider to be a universal truth, and my initial reaction is, “No it isn’t,” and we may proceed from there.  

“Be a blessing and you will get blessed.” Yes, because the universe is a transactional venue, like global free trade, or a vending machine! You put your blessings in the slot, and you get a candy bar!

“Turn ‘I hope’ into ‘I will.’” Your attitude makes all the difference when they come to shut down your drag queen story hour, blow up your power station, shoot your offspring, or fire randomly into your house of worship!

 

Tell me “The arc of history is long, but it bends towards justice” and I will say to you “tell me that again and the arc of my foot is gonna bend... read more

Jan 9 2023
Posted by Alexander Jerri
Good grief bad grief

Last Friday, December 9, 2022, in Detroit, in the midst of a performance by Cyrus Chestnut and the Detroit Symphony Orchestra of selections from the Vince Guaraldi score of the cartoon Christmas special, “A Charlie Brown Christmas,” someone shouted a slur that either was the N-word or included the N-word. None of the news outlets are saying. The orchestra maintained their focus. Audience members interviewed afterwards expressed disgust with whoever shouted the slur. WXYZ, Channel 7 news in Detroit, reported the story, as did the newspaper—whatever newspaper means these days—The Detroit News.  

 

Cyrus Chestnut is black, as are some members of the DSO, as are people who were in the audience that night. Charlie Brown, a fictional figure, is, despite his surname, white. In the Lieber and Stoller song, “Charlie Brown,” written for and recorded by The Coasters, all members of which were black, Charlie Brown was probably black. But the N-word slur-slinger most likely targeted the players rather than the subject of the music.

 

Vince Guaraldi, the composer, was white, although his mustache was black. Nevertheless, it seems clear that the slur was aimed at the black instrumentalists on Friday.

 

I should add that I’m only assuming it was the N-word based on the way all the news outlets have skirted around what exactly was shouted. It was definitely an anti-black term of derogation, but it could have been the Coo-word or the Sp-word. Those possibilities seem doubtful, especially the latter, given the reported reaction of the audience.

 

But it’s odd no one’s reporting that it was the N-word. As a euphemism, it’s the most easily communicated via the press. Maybe there’s an unwritten AP-style rule whereby an outlet is supposed to give the N-word the least amount of publicity possible, even in its euphemistic form.

The article in The Detroit News has a comment section. If you can imagine, the comments section is inhabited by a grotesque menagerie of primates throwing feces. There are comments denying that the occurrence ever took place, despite the vast number of witnesses and the fact that the Orchestra announced on its Facebook page its sadness in regards to the incident.

 

“The DSO is deeply disappointed by an incident that took place towards the end of Friday night’s concert when an audience member shouted a... read more

Posted by Alexander Jerri
Lies poster

This is the time of year when my thoughts turn to the dark cave of ancient European winter solstice traditions. I don’t know what all the specifics are, but I know that Yule was a macabre time when the countryside was skulked by goat-headed demons, wooly wildmen brandishing knobby clubs, vengeful ghosts, hammer-wielding butchers, and other pagan shades visiting comeuppance, disproportionate or otherwise, upon the gullible, myth-hectored children of Europe. And from this I derive comfort. I crawl into that dim thought-cave and hibernate till early January.

 

As I drift off, I ponder. I ponder, ruminate, daydream, and consider. What is the nature of this historical period we’re living in? Is this really the rightwing version of the Age of Aquarius as it’s advertised to be? If so, what shall we call it? The Age of Acquisitus? The Age of Cupiditus? The Age of Non compos mentis? The Age of Nefarious, Precarious, Usurious, You Serious?

 

It’s clear that the fascist chaos-mongers of today feel themselves to be simultaneously the functional equivalent of, the revenge upon, and the antidote to the radicals of five and six decades ago. Milo Yiannopoulos, James O’Keefe, and Dinesh D’Souza think they’re the Yippies of the new millennium. The nationalist, nativist, and white supremacist militias consider themselves justified by, as they justifiably retaliate against, not just BLM or the Presidency of Obama, but also the Weather Underground, the Black Panthers, and the American Indian Movement from “back in the day.”

 

And their rank-and-file Paleoconservative fellow travelers in the voting and non-voting-on-principle mass of Americans consider themselves “hip” to the “anti-establishment” message today’s groovy thought-masters are laying down. The execrable Jordan B Peterson has no better analogue in the past zeitgeist than Alan Watts of yore.

 

Of course, these analogues are not one-to-one. Alan Watts championed the probably mythical founder of Taoism, Laozi, whose work he had some grasp on and whose message he attempted to pass along in relatively good faith, while the bullying Peterson champions a Nietzsche distorted through his own pet peeves and crotchets with, more than likely, an eye to one day setting up a franchise of motivational churches.

 

The ambition of the Abby Hoffman-wannabes is protracted fame as... read more